The concert in which I both sang and conducted this past weekend was reviewed in the NY Times, though not so favorably. It was a wonderful experience and in many ways, the most bizarre concert I have been a part of. I sang in two pieces – one an operetta about zombies, the other an early music-influenced doom trio about reanimation of the dead. The piece I was asked to conduct opened the concert with lots of breathing, shoulder shrugging, and yawning (from the singers, hopefully not the audience!). Of course any musician would prefer a fantastic review, but to get one at all is exciting. I have had a surprising fall filled with opportunities to perform new music. It’s a small, invigorated world that I’ve been honored to be a part of! Here’s hoping for more strange gigs to come…
Brant Piece is “Remarkable”
Wednesday’s performance at the Roulette of Henry Brant’s Flight Over a Global Map was deemed “remarkable” by the NY Times. It was certainly that and much more, as it is taking me days to recover! All 52 trumpets showed up (and even a few extras) for quite a full house. After about 40 minutes of Brant’s sonic landscapes flowing around the room, sometimes placidly, sometimes aggressively, the piece received a hearty standing ovation. It was the final piece of three on the concert, all a part of the Festival of New Trumpet Music. The first piece was the premiere of an energetic fanfare by John Zorn, and the second was a tribute to Butch Morris’s “conductions” (conducting improvisations), conducted by J.A. “Dino” Deane. What a thrill to have conducted such an prolific piece at such an important and innovative concert! I look forward to the next time I get to conduct 52 trumpets, whenever that may be…
